The End is Blue is the story of the friendship between two teenage girls with a bizarre passion for medical visits. Like all who take unorthodox paths, the girls will be disliked and unpopular, but their bond will give them the strength to continue to stand out. They will be divided, and the drama arises in all the attempts to tame them and bring them back to the norm. The ending is a surprise; so surprising that it cannot described in words but only with a color, the color blue.

The intense friendships experienced only in adolescence change our lives forever. These friendships encourage us to grow, to be independent, and to expose ourselves to new things. Our best friends enable us to look at our families, society, and our own lives with different eyes. That deeply personal relationship gives us something never experienced before, but what we all really need.
The End Is Blue tells a story of this kind of friendship. I’s a friendship that deals with fears, insecurities, doubts, disappointments, clashes with parents, misunderstandings with the world at large, and ultimately solitude. Motta and Castracani are the protagonists of a story that in some ways might seem unconventional. For instance, the two girls spend their free time visiting doctors and hospitals in order to have tests performed. A strangely empirical way, perhaps, of getting to know themselves. This was the backbone in the comic book that intrigued me and drove the film adaptation. After all, what better time to reflect on one’s own existence than the moment when someone like a doctor is observing, studying, and analyzing the unseen parts of ourselves. How can this objective evidence be interpreted by a young girl who is trying to understand who she is and her role in the world? This kind of self-reflection is very complicated for a teenage to contemplate, but the search for our own identities, which is only beginning in adolescence, is something we will continue to question throughout our lives.

Director
Pierluca Di Pasquale
Story
Pierluca Di Pasquale
Screenplay
Pierluca Di Pasquale, Francesco D'Erminio (aka Ratigher)
Director of photography
Gianluca Palma (DOP); Pietro Comini (Operatore); Francesca Lamura (Focus puller); Anna Bossi (Aiutio operatore); Alessandro Romeo (Video assist), Andrea Gardetto (DIT); Ruggero Gioia (Fotografo BTS); Marco Piovanotto e Majlend Bramo (Fotografi di scena)
Set Design
Marcella Mosca (Scenografa); Carola Benedetti (Arredatrice); Matilde Martinez (Assistente arredatrice); Jessica Rrapaj (Stagista scenografia); Maja Cecur (Attrezzista di scena); Simone Masera (Aiuto attrezzista di scena); Francesco Chiacchio (Attrezzista di preparazione); Daniele Jovel Conta (Aiuto attrezzista di preparazione); Marco Zizza (Grafico); Federico Barcella (Aiuto attrezzista aggiunto).
Costume Design
Francesca Cibischino (Costumista); Anna Bonardello (Assistente costumista); Elena Gaudio (Sarta); Maria Fresta (Stagista costumi).
Sound
Sonia Portoghese (Fonico); Mirko Guerra e Roberto Remorino (Microfonisti).
Special Effects
Francesco Niolu (VFX supervisor); Lena Di Gennaro (VFX producer).
Make-up
Daniela Tartari (Hair supervisor); Mariano PArisi e Riccardo Battisti (Capi parrucchiere); Arminda FAlcione (Parrucchiera). Vanessa Ferrauto (Capo truccatrice); Erika Truffelli (Truccatrice).
Assistant Director
Casting
Luana Velliscig e Elena Aime (Casting director); Marco Ronca (Capogruppo comparse).
Segretario di edizione
Altri credits

PRODUZIONE
Davide Spina (Location manager); Michele Francesco Cotugno (assistente location manager); Ilaria Marchetti (Coordinatrice di produzione); Amedeo Sportoletti, Pietro Vuolo, Emiliano Remelli e Pierfilippo Cipollini (Aiuto segretario di produzione); Stefano Boscherini (Green manager); Francesca Lauriola (Stagista di produzione).


AMMINISTRAZIONE
Giada Eleonora Risso  (Amministratore); Federica Bertolino (Cassiere).

REGIA
Laura Cairone (Stagist regia).

REPARTO LIGHTS & GRIP
Stefano Fois (Capo macchinista); Angelo Pace e Filippo Montanari (Macchinisti).
Vito Brunetti (Capo elettricista); Andrea Mina e Camillo Beltrametti (Elettricisti).

TRASPORTI
VAsile Pomohaci (Gruppista); Devis Grimaldi (Driver camion MDP); Claudio CAtaldi (Driver camion macchinisti); Gerchi Sposti (Driver camion sartoria); Paolo Bussolin (Driver camion macke up); Michele Milo (Driver tricamper).

Cast and characters

Sara Ciocca (Motta), Anita Serafini (Castracani), Antonia Truppo (Madre Motta), Chiara Merulla (Bea), Matteo Vercelli (Mauricio), Benedetto Dario (Padre Motta), Barbara Chichiarelli (Dr. Klaus), Sonia Caretto (Bugatti), Valentina Cervi (Madre Castracani), Greta Dordo (Erica), Ana Ponce (Dolores), Matteo Quagliero (Galli), Pietro Perrucca (Soriano), Geppi Cucciari (Professoressa Ginnastica), Marco Guagnano (Manuel), Rosanna Pantano (Medico HIV), Pietro CAssella (Cappelletto Rosso), Benedetta Ferini Strambi (Desiree), Ema Stokholma (Professoressa francese), Simonetta Pellizer (Infermiera desk), Luana Velliscig (Medico TAC), Luisa Seravesi (Signorina sportello), Alessia Strazioso (Gloria), Franco Barbero (Vecchio), Roberta Belforte (Infermiera off camera), Melissa Dos Santos (Test girl, trnas), Ilario Calvo (PAdre CAstracani), Vanda De Rocco (Signora Bastone).

Production Director
Executive Producer
Organizzatore generale
Producer
Luca Scarabelli e Andrea Josè Di Pasquale
Production
Qoomoon, IBC Movie con Rai Cinema
con il sostegno di Film Commission Torino Piemonte - Piemonte Film Tv Development Fund - dicembre 2021 e con il contributo del FESR Piemonte 2021-2027 - Piemonte Film TV Fund (2024)
Assistente alla regia
Festival - markets - events

In concorso a Panorama Italia, Alice nella città di Roma 2026

Last update: 24 September 2026