Yoshin witnesses a funeral ritual held by elephants in the jungle. Back in the Rohingya refugee camp of Cox’s Bazar, we are introduced to his family: his wife Tasmida, their children Sahab and Abu, and his mother Yasmina. Sahab is promised to a stranger, Josin Hossain, but she is deeply troubled by it. Abu, on the other hand, escapes with his friend Enam. The marriage proposal involves sending Sahab abroad. After a public demonstration on how to deal with elephant attacks, Sahab confides her fears to her mother. Yoshin and Tasmida decide to call off the wedding. At dawn, Sahab is kidnapped. No one intervenes. Meanwhile, Abu receives a job offer in the shipyards. A fire devastates the camp. Yoshin returns to find the house still standing, but the family torn apart.

Today, I See the Mirror is a film that tells the story of a Rohingya family living in the refugee camp of Cox’s Bazar—the largest in the world—established in 2017 following the violent persecution of the minority in Myanmar. The camp, overcrowded and closed off, is marked by forced marriages, human trafficking, and mounting tensions between identity and survival. The film follows Yoshin, his wife Tasmida, and their children, Sahab and Abu, as they face social pressures, environmental dangers, and decisions that could tear them apart. Through a hybrid narrative approach, the project explores the meaning of family as both a space of protection and fragility, questioning collective identity and the relationship between humans and a threatened natural world—symbolized by Asian elephants, guardians of an ancestral memory now at risk. An intimate and powerful story that reflects the condition of an entire people.

Screenplay
Matteo Tortone, Mathieu Granier
Director of photography
Patrick Tresch
Executive production
Producer
Margot Mecca, Alexis Taillant, Benjamin
Production
con il sostegno di Film Commission Torino Piemonte - Piemonte Doc Film Fund - sviluppo giugno 2025
Last update: 05 September 2025