Before dying, my father told me about a village, in Piedmont, where all the people had our family name. Intrigued by this misterious origin, I crossed the Alps and went to Ughettera, “the land of the Ughettos”. Who were they? How did they live?
What forced them to leave and where did they go? By the
testimonies of the Piedmontese farmers born in the late 19° century, I recall my grandfather’s path, born in the same place at the same time, emigrated to France as thousands of other Italians did. In my laboratory I’ll bring back to life this lost world, this rural culture which was also my grandparents’ one, which has been called by Nuto Revelli “the world of the defeated”. Putting my hand into the modelling clay, discovering their work gestures, finding out how they lived and survived, I wonder about the work itself of my hands. What has been left of them, of their techniques, their know-how, their land, their language, their culture? What is still alive in me, of this lost
world?
Manodopera celebrates hands that work, those of my
grandfather, my father and the generations of workers who
have preceded us. Those of women too, like those of my
grandmother. I remember her rapid thumb's movement that slipped potato's balls in the back of a fork and a lot of gnocchi that were piled behind ...
I want to recapture these gestures. Their flexibility, precision and beauty. I imagine a mix of live action and clay animation of my own hands and those of an elderly woman who represents my grandmother. I want to create a visual complicity with her hands and mine.
And I need to embody the subject because this documentary
draws its strength from the violence of a true story. Do not
play but being at work. Hands in malleable matter. That is
how it should be told.
Ideazione dei personaggi: Alain Ughetto, David Roussel
Direzione di fabbricazione: Nicolas Flory
Marjolaine Parot (Capo animatrice in volume); David Roussel (Capo modellista marionette).
Ariane Ascaride, Alain Ughetto (Voci)
Miglior Film d’Animazione Europeo agli EFA 2022 (10 dicembre 2022)
Premio della Giuria e Premio Fondazione Gan per la Distribuzione all’Annecy International Animation Film Festival 2022 (Francia, 13-18 giugno 2022)
Grand Prize al BIAF – Bucheon International Animation Festival 2022 (Corea del Sud, 21-25 ottobre 2022)
Premio Occhiali di Gandhi al Torino Film Festival 2022 (Italia, 25 novembre-3 dicembre 2022)
Premio del Pubblico alla Mostra de València – Cinema del Mediterrani 2022 (Spagna, 20-30 ottobre 2022)
Premio Amilcar du Public al Festival du Film Italien de Villerupt 2022 (Francia, 28 ottobre-13 novembre 2022)
Menzione Speciale a Cinanima 2022 – Festival Internacional de Cinema de Animação de Espinho (Portogallo, 7-13 novembre 2022)
Coup de coeur des lycéens a Les rendez-vous du cinéma 2022 – Dreux (Francia, 18-20 novembre 2022)
Premio Cineuropa, Premio Speciale della Giuria, Premio del Pubblico a Cinemamed 2022 – Festival Cinéma Méditerranéen de Bruxelles (Belgio, 2-10 dicembre 2022)
Miglior Film d’Animazione agli International Cinephile Society Awards 2023 (12 febbraio 2023)
Premio del Pubblico Miglior Lungometraggio a Anima 2023 – Festival International du Film d’Animation de Bruxelles (Belgio, 17-26 febbraio 2023)
Premio Produttore dell’Anno a Cartoon Movie Tributes 2023 (9 marzo 2023)
Grand Prize e Governor Award al Tokyo Anime Award Festival 2023 (Giappone, 10-13 marzo 2023)
Premier Prix al Festival du Film Italien d’Andernos-les-Bains 2023 (Francia, 14-19 marzo 2023)
Premio del Pubblico al FANT – Festival de cine fantástico de Bilbao 2023 (Spagna, 5-13 maggio 2023)